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Santa Barbara Youth Symphony
Audition Excerpts



Please take the time to listen to the music before you start working on the excerpts and as you move forward. Understanding the style of the music and finding tempi goals will assist in your preparation.

Rhythm is very important. If your excerpt is in a steady tempo, make sure that you’re not compressing or rushing. Show the committee that you know and understand the style of the excerpt.

If you have trouble playing at the tempo you hear in recordings, it is ok to perform the excerpt at the slower tempo you can manage. The Committee is listening for many things in your playing, not just speed.

Please ask your teacher for help in preparing the excerpts.

Please note that some of the excerpts contain small rests (1 or 2 measures). These are meant to be counted (performed) in audition—not to be skipped over.

All parts are 1st parts unless otherwise marked.

Violin Mendelssohn

Mozart
Midsummer’s Night Dream, Scherzo, m. 17 to 7 after Letter D
Symph. #39, mvt. 2, m. 1-27
Viola Beethoven
Mozart
Symph. #5, mvt. 2, m. 1-10, 98-106
Symph. #40, mvt.1, m. 114-138
Cello Beethoven
Mozart
Symph. #5, mvt. 2, m. 1-10, 47-59, 98-106,114-123
Symph. #35, m. 134-170
Bass Beethoven
Mozart
Symph. #5, mvt. 3, m. 1-71
Symph. #40, mvt.1, m114-138
Flute Brahms
Debussy
Symph. #4, mvt. 4, m. 93-105
Afternoon of the Faun, 2 to 3
Piccolo Beethoven
Tchaikovsky
Symph. #5, mvt. 4. m. 69-723
Symph. #4, Finale, A to B
(must audition on Flute)
Oboe Beethoven
Tchaikovsky
Symph. #3, mvt.3, m. 7-28, 80-105
Symph. #4, mvt. 2, Opening
English Horn Dvorak New World Symph. mvt. 2, Solo
(must audition on oboe)
Clarinet Beethoven
Mendelssohn
Schubert
Symph. #6, mvt. 2, D to E,
Symph. #4, mvt. 2, A to B, in A
Symph. #7, mvt 3. in C, m.65-83
Bassoon Mozart

Tchaikovsky
Overture to Figaro, m139-145, 156-164
Or 156-171
Symph. #4, mvt. 2, Solo and ending
Horn Shostakovich
Tchaikovsky
Symph. #5, mvt.1, 36 to 4 m. after 38
Symph. #5, mvt. 2, m. 8-28
Trumpet Mussorgsky

Stravinsky
Pictures at an Exhibition, Promenade,
opening, in D
Petrouchka, Solo, 69 to 70
Trombone Berlioz
Wagner
Damnation of Faust, Hungarian March m. 89-114
Valkyrie
Tuba Wagner Valkyrie
Percussion Beethoven
Shostakovich
Symph. #5, (Timpani) mvt. 1, 346-381
Symph. #7 (snare part) mvt. 1, 19-23
Harp Berlioz Symphonie Fantastique, mvt 2, 2m. before 21 to 22, 12m. before 23 to 23
Please feel free to contact Andy Radford if you have questions concerning these excerpts.
Concert Master and Principal Cello excerpts available from Music Director